4/30/2023 0 Comments Earl sweatshirt tabula rasa![]() ![]() The Self as SurfaceĬonclusionă50 Notes 361 Works Cited 397 Index 417ġ.1. ![]() ![]() Earl’s announcement came coupled with the second single and video for the project Tabula Rasa featuring underground duo Armand. List of Illustrations vii Acknowledgments ix Earl Sweatshirt announces new album ‘Sick’ with new song ‘Tabula Rasa’ After a relatively low-key year, Earl Sweatshirt has announced his latest album Sick to much excitement to his die-hard fan base. Copyrighted work available under Creative Commons Attribution only license CC BY 4.0. “Signs of syphilis on the site of a tattoo.” Illustration to “Notes of Cases on an Outbreak of Syphilis following on Tattooing,” British Medical Journal (May 4, 1889). First published 2019 by Cornell University Press Printed in the United States of America Librarians: A CIP data record is available from the Library of Congress. For information, address Cornell University Press, Sage House, 512 East State Street, Ithaca, New York 14850. Except for brief quotations in a review, this book, or parts thereof, must not be reproduced in any form without permission in writing from the publisher. At the same time, Gilbert connects the ways in which Victorians "read" skin to the way in which Victorian readers (and subsequent literary critics) read works of literature and historical events (especially the French Revolution.) From blushing and flaying to scarring and tattooing, Victorian Skin tracks the fraught relationship between ourselves and our skin.ĬORNELL UNIVERSITY PRESS Ithaca and LondonĬopyright © 2019 by Cornell University All rights reserved. Victorian writers embraced this complex perspective on skin even as sanitary writings focused on the surface of the body as a dangerous point of contact between self and others.ĭrawing on novels and stories by Dickens, Collins, Hardy, and Wilde, among others, along with their French contemporaries and precursors among the eighteenth-century Scottish thinkers and German idealists, Gilbert examines the understandings and representations of skin in four categories: as a surface for the sensing and expressive self as a permeable boundary as an alienable substance and as the site of inherent and inscribed properties. Nineteenth-century scientific and philosophical perspectives had reconfigured the purpose and meaning of this organ as more than a wrapping and instead a membrane integral to the generation of the self. Where is subjectivity located? How do we communicate with and understand each other's feelings? How does our surface, which contains us and presents us to others, function and what does it signify?Īs Gilbert shows, for Victorians, the skin was a text to be read. Gilbert uses literary, philosophical, medical, and scientific discourses about skin to trace the development of a broader discussion of what it meant to be human in the nineteenth century. ![]()
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